The closing concert opens up a space for expansiveness, imagination, and sonic perspectives. Mendelssohn’s »Fantaisies ou Capricesy« combine freedom and form, while Weber’s Piano Quartet offers a glimpse into the beginnings of the Romantic musical language. Mozart’s Fantasy, K. 608, emerges as an impressive sonic architecture that expands into a state of luminosity and inner tranquility in the chamber music version of his Piano Concerto, K. 467. Finally, Stephen Montague’s »Thule Ultima« opens up a modern horizon—a conclusion that releases the festival into a vast, open sonic space.
PERFORMERS
5um3 quintet
Meret Louisa Vogel flute
Jiyeon Noh oboe
Max Godinić clarinet
Annika Koll bassoon
Una Weske french horn
Fine Arts Quartet string quartet
Ralph Evans violin
Efim Boico violin
Gil Sharon viola
Niklas Schmidt violoncello
Mark Gothóni violin
Anna Kreetta Gribajcevic viola
Arto Noras violoncello
Jens Bomhardt double bass
Alon Goldstein piano
Juhani Lagerspetz piano
PROGRAM
Felix Mendelssohn Bartholdy
Trois Fantaisies ou Caprices op. 16
Carl Maria von Weber
Klavierquartett B-Dur op. 8
- Interval -
Wolfgang Amadeus Mozart
Fantasia for Mechanical Organ in F minor, KV 608
Wolfgang Amadeus Mozart
Concerto for Piano and Orchestra in C major, KV 467
Stephen Montague
Thule Ultima
