»Im Aufbruch« traces musical paths between movement, openness, and a new musical language. Mendelssohn’s Songs Without Words unfold a multitude of characters—from dialogic intimacy to shimmering drive. Weber’s Violin Sonata combines classical form with lively expressiveness, before Mendelssohn’s Piano Trio in C minor, Op. 66, reaches a heightened urgency and emotional breadth. In the second part, the horizon broadens: Dvořák’s Largo opens up a space of memory and longing, Schumann’s folk-inspired pieces deliberately seek closeness to simplicity, while Nadia Boulanger introduces a new, concentrated musical language. Beethoven’s »Gassenhauer Trio« concludes the evening with a movement that reconciles lightness and structure.
PERFORMERS
Mark Gothóni violin
Niklas Schmidt violoncello
Arto Noras violoncello
Michel Lethiec clarinet
Juhani Lagerspetz piano
PROGRAM
Felix Mendelssohn Bartholdy
Lieder ohne Worte op. 38/6
Felix Mendelssohn Bartholdy
Songs Without Words in A major, Op. 62/6 »Spring Song«
Felix Mendelssohn Bartholdy
Lieder ohne Worte, Op. 19b, Volume 1
Felix Mendelssohn Bartholdy
Lieder ohne Worte op. 67/4 »Spinnerlied«
Carl Maria von Weber
Sonate für Violine und Klavier C-Dur op. 10/6
Felix Mendelssohn Bartholdy
Piano Trio in C minor, Op. 66
- Interval -
Antonín Dvořák
Symphony No. 9 in E minor, Op. 95 »From the New World«
Robert Schumann
Five Pieces in Folk Style for Violoncello and Piano, Op. 102
Nadia Boulanger
Trois Pièces for Violoncello and Piano
Ludwig van Beethoven
Finale / aus: Klaviertrio B-Dur op. 11 »Gassenhauertrio«
