A concert like a deep breath: fresh, expansive, rooted in life. Nature unfolds as a resonant force—at times powerful, at times delicate, yet always deeply moving. Three musical perspectives on creation, from Europe and North America, reveal how Sibelius, Copland, and Beethoven each capture the relationship between humanity and nature, stillness and movement, origin and renewal in their own unique sonic language.
The concert opens with Jean Sibelius’ »The Oceanides«, evoking the majestic restlessness of the sea. In shimmering layers of sound, the Finnish composer lets the water breathe – mysterious, powerful, infinite. Nature here is no mere backdrop; it is a living, breathing presence. The human becomes a silent observer at the shoreline.
Aaron Copland’s suite »Appalachian Spring« – originally composed as a ballet about a young pioneer couple – tells a story of hope, renewal, and trust. With a musical language that is both clear and deeply touching, Copland creates an atmosphere of profound gratitude: for the vastness of the land, the rhythms of life, and the quiet consolation of music.
Ludwig van Beethoven’s »Pastoral Symphony» – his Sixth – concludes the program with a vision of nature that is both personal and universal. Birdsong, a murmuring brook, a thunderstorm, and a village celebration: Beethoven transforms everyday nature into a radiant musical homage, revealing the preciousness of the seemingly ordinary.
On the podium is Jonathan Stockhammer, a conductor equally at home in both European and American musical traditions—making him the perfect guide for this transatlantic musical journey.
PERFORMERS
Symphoniker Hamburg orchestra
Jonathan Stockhammer conductor
PROGRAM
Jean Sibelius
Aallottaret (Die Okeaniden)
Aaron Copland
Appalachian Spring
Ludwig van Beethoven
Symphony No. 6 in F major, Op. 68 »Pastoral Symphony«
