The French conductor Lionel Sow has a deep passion for German choral repertoire, and in keeping with this year’s festival theme – »End« – he has curated a concert programme centred around the enduring fascination with death and final things in music.
At the heart of the evening is Hugo Distler’s »Totentanz« (Dance of Death), inspired by a large mural in Lübeck’s Marienkirche, where Distler once worked as an organist. In the piece, Death meets twelve people of different social ranks, dances with them, and speaks to them. Distler set these baroque texts to music in 1934, creating a fragile, floating choral sound deeply shaped by the fear and uncertainty following the rise of the Nazi regime. The original mural was destroyed in the war in 1942 – the same year Distler took his own life. A tragic coincidence, almost fatefully intertwined with the music.
In the tradition of wild and virtuosic dances of death, Harald Feller’s Danse Macabre for organ and percussion offers a striking counterpoint to the a cappella choral works. The concert is framed by baroque music by Johann Sebastian Bach and songs by Johannes Brahms and Max Reger. Although the works were composed in different periods, they are united by the hope of an eternal, peaceful life after death in divine realms.
PERFORMERS
Balthasar-Neumann-Chor und -Solisten choir
Michael Schmidt-Casdorff flute
Veith Kloeters percussion
Iveta Apkalna organ
Joachim Król narrator
Lionel Sow conductor
PROGRAM
»Totentanz & Hoffnungsschein«
Johannes Brahms
Schnitter Tod
Harald Feller
Danse macabre for Organ and Percussion
Thierry Escaich
Motet II
Johann Sebastian Bach
Komm süßer Tod, komm sel’ge Ruh’, BWV 478
Hugo Distler
Totentanz, Op. 12/2
Johann Sebastian Bach
Sarabande
Max Reger
O Tod, wie bitter bist du
